I'M NOT AFRAID TO STRIP FOR THE PART Anna
Friel on stripping off, feeling broody and her new pal Dustin Hoffman
She's young, gorgeous and succcessful - and former Brookside babe
Anna Friel doesn't mind flashing her boobs if necessary.
In fact, Anna Friel has more important things on her mind when
it comes to nude scenes - such as remembering her lines and keeping
warm.
Speaking about her new drama Watermelon, to be screened on ITV
next month, she says: "When I'm in just about every scene in
a movie, I owe it to everyone else to be word-perfect.
"Same with scenes like being in the bath or whatever. You
know that it's going to take a day or more to get it right, so all
you can hope for is that someone manages to keep the water warm.
"I just grin and bear it. Or maybe `bare it' would be better.
"Showing my boobs off? Who cares? As long as it's not gratuitous,
why not? Doesn't it always look so bloody fake if the shot is from
sort of weird angle where you don't see anything at all?
"I don't go into something like that if I think that I'm going
to flash myself - all I mean is that it has to feel right. It's
never an issue with me, things like that - if it was, well, I just
wouldn't be doing my job properly."
She adds: "In Hollywood, they seem to make a big issue of
things if an actress shows her elbow from the wrong angle. I can't
be doing with all of that."
In Watermelon, Anna plays a Dublin lass who moves to London and
finds herself pregnant by her old boyfriend while settling into
a new relationship. She has the baby, and then has to decide which
of the men will be the better father.
Anna, 26, spent most of the drama wearing a prosthetic stomach.
She says: "I loved wearing it and it did make me feel broody.
"The only thing that wasn't quite right was that my breasts
weren't ... erm ... well, in line with the bump. So I had this perfect
prosthetic thing around me down below, and a pair of old socks stuffed
down my bra for the `above' bit."
Although she admits the role made her think more about children
and says she and her actor boyfriend of three years, David Thewlis,
would love to have kids - having a family is not in her plans just
yet.
She reveals: "I loved acting with the babies who played my
little daughter in the film, but I really do think that it would
suit both of us better if we had them when I was about 30 - or 32.
I feel I have a lot to do in my career in the next few years.
"It's really not a major issue, but when we do have children,
I want to be there for them - but also continue to act. Just being
at home all the time, changing nappies, would drive me insane. I'd
be a basket case if all I did was to stay at home.
"But I do love anything to do with babies - it's just the
way that they look at you. If they were all like the one that played
my child in Watermelon, I'd have 10 of them - no question."
ANNA, 26, takes another slurp of her white wine, grins, wipes her
chin with a flick of her hand, and says of Thewlis: "At the
moment, we seem to have the perfect, the happiest, relationship.
"David lives in Clerkenwell, and I live in Windsor, so we
both have our own space. We both have somewhere to retreat to -
when and if we want to.
"But I have to say that with the recent security scares at
Heathrow Airport, I feel a lot safer at David's place.
"With Windsor being right under the Heathrow flightpath, getting
into town is a nightmare."
Anna reveals she has been discussing world security with one of
Hollywood's best-known stars. She says: "David and I have grown
very friendly with Dustin Hoffman in the last few months, and he's
very anti-war as well. We talk to him a lot about the world situation,
and he comes out with a lot of sense, believe me."
Anna is disarmingly frank about just about everything in her life.
In Watermelon, her character Claire is a university graduate - but
also a fantasist and unable to tell the truth.
Anna says: "She'd rather tell a lie than deliver the real
facts. I never have had that problem myself.
"In fact, someone asked me the other day if I'd ever told
a bloody great whopper, and the answer was that no, I could never
think that I have.
"That's a very dull admission, isn't it? I said to the guy
who asked the question, `If I did, I'd never tell you, it would
ruin the lie, wouldn't it!'
"Actually, I'll make it even more dull - I don't think I've
ever blagged my way into anything - a job, club, a better table
at a restaurant, whatever. It's just not in my nature.
"I have always told the truth, no matter what. And sometimes
- a lot of times, I guess - to my own detriment."
Anna is known as a very direct and honest worker on a film set.
She says: "I don't sit there moaning on about how large the
trailer they've given me is, or what the facilities are. I get on
with it.
"There are films I've done where the turnaround has been so
fast that the cast have done the costume changes in the nearest
public toilets.
"There's no room or time for vanity in circumstances like
that. It's the best way.
"I sometimes haggle, I'll admit that. On Watermelon, for example,
which was shot almost entirely in Dublin, bar a couple of scenes
in London, the film- makers wanted to give us a schedule of four
weeks of shooting, and I didn't think we could do it in six. So
we settled on five. Happy compromise.
"But then you know that the hours are going to be from 5.30
in the morning until about 9.30 at night, so all you can hope for
is a comfortable bed and an opportunity to learn your lines in a
bit of peace and quiet. It's not easy - and that's not a moan."
She adds: "I am no snob about what I do, that's for sure.
When it comes to work, I am going to do what I want to, as long
as I think that it is good for me.
"I never believed, when I started in this business 10 years
ago, going into Brookside, that I would find myself where I am today.
I never had a formal drama school training and what I've learned,
I've learned on the set or on the stage. And sometimes, it's been
terrifying - like when I did the play Closer on Broadway, for example.
"Every night, I felt totally nauseous in the wings, and every
night I went and threw up in my dressing room.
"About three or four days before I go into anything new, I
get really nervous and uptight, and I have to rationalise and logicalise
things - and David is a great help in calming me down and telling
me not to be so bloody silly."
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